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The confirmation of the continuity of art policies in Spain from 1950 to the present enables a rethinking of the role of art and of artists in the socio-political imaginary of the 'national' within the context of an ideological discourse that transcends the boundaries of regimes and governments. In ¿Puedo hablarle con libertad, excelencia?, the relationship between artists, critics and institutions opens up propitious ways of analysing how unwholesome inbreeding has ended up hijacking alternative readings of recent history and has distorted the responsibility of cultural agents.