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Over the last three decades we have witnessed one of the most intense and dynamic periods with regards the presence of women in art. From the lively discussions of the seventies¿and more particularly from the eighties and nineties¿the work of women artists has been increasingly to the fore in contemporary art research. Here, Ana Martínez Collado expands the boundaries of feminism towards the discourse of identity, the intercultural universe, new technologies and cyberfeminism. In short, what this essay proposes is the possibility of thinking an expanded feminism.