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This book, which could also have been called criticography of contemporary art, is a response to the need to come up with a new format for the various existing writings on art as a source for the theoretical study of art. Through a series of interviews, and adopting the first-person voice of the protagonists, this book engages with some of the most influential critics, theorists and art historians in the complex international critical scene: Benjamin Buchloh, Donald Kuspit Thomas Crow, Arthur Danto, Hal Foster, Serge Guilbaut, Rosalind Krauss, Griselda Pollock, Lucy Lippard and Douglas Crimp.