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Though it might strike us as illogical, the fact is that in the midst of the current general mobilisation, a process of bunkerisation has emerged against which our conception of art wishes to unfold, like an environment to safeguard a portion of reality. However, in the wake of 9/11, the process of chaining together terrorism, violence, a thirst for revenge, and a demonization of the Other, has razed the ground to a heap of rubble, a place where it is very difficult to lay any kind of foundation. Against this backdrop, the reflections on violence, neo-militarisation, the vomitive or domination, address the conflictivity of contemporary art in an age that is regrettably marked by infantile obscenity and banality.